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  Konark " The Black Pagoda " 
 
in Orissa. ( Sun Temple )

 

This crowning piece of Orissan architecture and sculpture, built in the 13th century , the golden era of orissan art, is a poetry in stone and on the World Heritage list. The Mukhashala , or entrance hall continues to interest both devotees and visitors. The walls of this magnificent ruin have exquisite sculptures covering many aspects of life, Scenes of love and war, trade and court transactions , hunting, catching of elephants ,  sages teaching , childbirth, amorous dalliances, dancers and mythical figures , all vie for attention on the panels and niches of this immortal work of  art.

Surasundaris, heavenly damsels, free-standing, larger-than-life monoblock female statues playing the cymbals and drums, flutes and trumpets, adorn  the top of the temple. The beautifully -carved couples engaged in myriad modes of amorous union, with their incomparable charms , are an attraction for connoisseurs of art as well as for ordinary visitors.
     

 

symbolizing the divisions  of  time with their intricate cravings on the spokes and the axle-heads, are a living monument of the glory of Orissa's past, frozen for a moment of the shores of time . Konark is a many splendoured gem of Orissan art. Its beauty is not for description in words. It is to be seen, enjoyed and savourd, not once but again and again, for it is truly a thing of beauty , a joy for ever.
Everyday the Sun God rises from the lap of the blue ocean close by and casts his first gentle rays of the sanctum sanctorum and then circles the temple during the course of the day, illuminating the three magnificent images of the morning Sun, the mid -day Sun and the setting Sun.

 

   

 

The colossal figures of the war elephants holding aloft a dazed soldier or the enraged war-horses trampling under their hooves a fallen warrior , the last fittingly chosen  as the emblem of the State, and above all, the twenty-four giant wheels of this temple-chariot,The Lords then convalesce inside the sanctum sanctorum, closed to public view, during which time the devotees have to be satisfied with a darshan by images of the Lords on cloth paintings or Pattachitra especially made for the purpose. Then comes the annual sojourn of the three deities riding three grand chariots to their garden house, greeting on the way their aunt who feeds them with podapitha (specially baked rice cakes). The deities then assume new attires (Vesha) every day and after a lapse of 8 days, they return to the main temple riding their chariots.

EXCURSIONS      
RAMACHANDI ( 8 km )
Temple of Goddess Ramachandi, meeting place of river Kushabhara with the sea. A nice picnic spot.
BELESWAR ( 20 km)
Saiva shrine and sea beach
BALIGHAI ( 25 km)
Sea beach and Sea Turtle Research Centre
kURUM ( 8 km )
Excavated Buddhist Site
KAKATAPUR (25 km )
Shrine of Goddess Mangala on river Prachi
CHORAGI ( 35 km )
Temple of Goddess Barahi, A Typical order of Temple architecture.

 The grand road, as it is called, is ideal for a leisurely stroll and shopping for souvenirs and mementoes.

 

 
Typical Puri handicrafts include miniature stone sculptures, wood carvings, sea shell items, patta - paintings on cloth canvas and colorful applique work . One can also pick up these pieces from the small shops at the southern end of the beach at Swargadwara, literally, Gateway to Heaven.  
EXCURSIONS  
  BALIGHAI ( 8km ) Sea beach and Sea Turtle Research Centre.      
  BALIHARACHANDI ( 27km ) Shrine of Harachandi on the desolate sand-dunes and a nice picnic spot.      
  BELESWAR ( 15 km ) Saiva shrine and sea beach.      
  BRAHMAGIRI ( 25 km ) Shrine of Lord Alaranath,
 worshipped as Jagannatha during "Anavasar".
     
  RAGHURAJPUR ( 14 km ) Artisan village.      
  SAKSHIGOPAL ( 20 km ) Shrine of Lord Sakshigopal and Samadhi of Panchasakha.      
  SATPADA ( 50 km ) A scenic spot on Chilika- ideal for bird - watching & viewing cavorting dolphins.         
           
 
 
 
 
 
 

 

 

 
 
 
 
 
 

 

 

 

 

 

 

 

 

 

 
 
 

 

 

 

 

 

 

 

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